Andrea Bolland
Associate Professor of Art History (Italian Renaissance & Baroque Art)
PhD 1992 University of North Carolina at Chapel Hill
MA 1986 University of North Carolina at Chapel Hill
BA 1982 University of Washington
MA 1986 University of North Carolina at Chapel Hill
BA 1982 University of Washington
Areas of Research
- Italian renaissance art
- Italian baroque art
- Early modern literature on the arts
Selected publications:
- "Alienata da' Sensi: Reframing Bernini's St. Teresa," in Touch me, touch me not: senses, faith and performativity in early modernity, issue 4 of Open Arts Journal (Winter 2014/2015): 134-57
(https://openartsjournal.files.wordpress.com/2014/11/oaj_issue4_bolland.pdf) - “Artifice and Stability in Late Mantegna,” Art History, special issue, Andrea Mantegna: Making Art (History), ed. Stephen J. Campbell and Jerémie Koering, 37 (2014): 352-79. Issue also published separately as a book (London: Wiley-Blackwell, 2015).
- “From the Workshop to the Academy: The Emergence of the Artist in Renaissance Florence.” In Renaissance Florence: A Social History, ed. Roger Crum and John T. Paoletti, pp. 454-78; 613-18. New York: Cambridge University Press, 2006
- “Desiderio and Diletto: Vision, Touch and the Poetics of Bernini’s Apollo and Daphne,” The Art Bulletin 82 (June 2000): 309-330.
- “Art and Humanism in Early Renaissance Padua: Petrarch, Vergerio and Cennini on Imitation,” Renaissance Quarterly 49 (1996): 469-87.