Marques L. A. GarrettAssistant Professor of Music in Choral Activities
Area of Focus: Conducting, Voice
MM, University of North Carolina at Greensboro, 2010
BA, Hampton University, 2006
A Virginia native, Marques L. A. Garrett (he/him/his) is an Assistant Professor of Music in Choral Activities at the University of Nebraska-Lincoln in the Glenn Korff School of Music. His responsibilities include conducting the auditioned Chamber Singers and non-auditioned University Chorale (soprano-alto) as well as teaching graduate choral literature. Before earning his PhD in Music Education (Choral Conducting) at Florida State University, he was the Director of Choral Activities at Cheyney University of Pennsylvania. Additionally, he holds an MM from the University of North Carolina at Greensboro and a BA from Hampton University.
An active conductor, Dr. Garrett serves as a guest conductor or clinician with school, church, community, and festival/honor choirs throughout the country. In addition to his conducting classes at UNL, he leads conducting workshops at other universities and conferences. His formal conducting studies were with Dr. André J. Thomas, Dr. Carole J. Ott, Dr. Carl G. Harris, Jr., and Mr. Royzell Dillard.
A versatile voice that performs both as a baritone and countertenor, Dr. Garrett has sung with several community, church, and university groups as both a chorister and soloist. He was the baritone soloist for the Germantown Concert Chorus’s performance of Haydn’s Missa in Angustiis. His premiere as a countertenor in Dan Forrest’s Jubilate Deo served as the work’s European premiere in Limerick, Ireland. Additionally, he performed the role of Lil Lud in Bernstein’s White House Cantata with the Tallahassee Community Chorus. Currently, he sings with First-Plymouth Congregational Church, Festival Singers of Florida, and the Jason Max Ferdinand Singers.
Dr. Garrett is an avid composer of choral and solo-vocal music whose compositions have been performed to acclaim by high school all-state, collegiate, and professional choirs including Seraphic Fire and the Oakwood University Aeolians. GIA Publications, Walton Music, Santa Barbara Music Publishing, Hinshaw Music, G. Schirmer, Beckenhorst Press, and Carus-Verlag have published several of his compositions. Commissions and premieres beginning in the fall of 2021 include performances by Festival Singers of Florida, Chor Leoni, Turtle Creek Chorale, Harvard University Choruses, Seattle Pro Musica, and Gustavus Adolphus College.
As a researcher, his most advantageous topic is the non-idiomatic choral music of black composers. His lectures at state and regional conferences of the American Choral Directors Association and at other local and national venues afford him the opportunity to showcase this underrepresented area of music.
Dr. Garrett holds membership in the American Choral Directors Association; American Society of Composers, Authors, and Publishers; National Collegiate Choral Organization; and Pi Kappa Lambda. With the National Association of Negro Musicians, he currently serves as the national scholarship chair.
Engagements for the summer of 2021 through the fall of 2022 include the 2021 Kansas ACDA Summer Conference (headliner), 2021 Texas Choral Directors Association Summer Convention (presenter), 2021 Ole Miss Choral Festival (conductor, adjudicator), 2021 Texas Music Educators Association Region 20 Honor Choir (conductor), 2021 All-Millard Vocal Festival (conductor), 2021 Nebraska Music Education Association Conference (conductor, presenter), 2022 University of New Hampshire Choral Gala (conductor), 2022 Omaha Symphonic Chorus (guest conductor), 2022 Midwestern American Choral Directors Association Windy City Honor Choir (conductor), 2022 "Bent But Not Broken" conference (presenter), 2022 Michigan School Vocal Music Association (adjudicator), 2022 Conference of the Association of Anglican Musicians (presenter, conductor), 2022 Colorado ACDA Summer Conference (headliner), 2022 Pennsylvania ACDA Summer Conference (headliner), and 2022 Michigan ACDA Fall Conference (headliner).
Digital and Print Literature
“Composing and Arranging for Male Choirs.” In Conducting Men’s Choirs, edited by Donald L. Trott, 237–51. Chicago: GIA Publications, 2019.
“An Introduction to the Non-Idiomatic Choral Music of Black Composers.” The Journal of the Association of Anglican Musicians 29, no. 9 (November 2020): 1, 4–9.
“The Short Choral Works of R. Nathaniel Dett.” PhD dissertation, Florida State University, 2018. http://purl.flvc.org/fsu/fd/2018_Sp_Garrett_fsu_0071E_14525.
“Thinking Outside the Box for Black History Month: How Do We Change the Narrative?” Music in a Minuet (blog). National Association for Music Education, January 30, 2020. https://nafme.org/thinking-outside-box-black-history-month/.
“Unaccompanied Non-Idiomatic Choral Music of Black Composers.” The Choral Journal 61, no. 4 (November 2020): 16–33.
Selected Music Publications
Hold On! – Walton Music – spiritual for SATB divisi choir
Invitation to Love – Santa Barbara Music – choral art song for SSA choir, piano
Ride on, King Jesus – GIA Publications – spiritual for SATB divisi choir
Ring Out, Ye Bells – Beckenhorst Press – Christmas anthem for SATB choir, piano, bells
Sing Out, My Soul – Beckenhorst Press – choral art song for SATB choir, piano and SSA choir, piano
Sit Down, Servant – G. Schirmer – spiritual for SATB choir
Were You There – GIA Publications – spiritual for SATB choir, piano and TTBB choir, piano
CoursesMUED 374 - Advanced Conducting
MUAP 921 - Choral Conducting
MUSC 972A - Choral Lit before 1600
MUSC 972B - Choral Lit 1600-1750
MUSC 972D - Choral Lit 1750-1900
MUSC 972E - Choral Lit from 1900