MFA Thesis Exhibitions continue through April 15
calendar icon31 Mar 2022
Lincoln, Neb.—The final two rounds of MFA Thesis Exhibitions continue in the Eisentrager-Howard Gallery in Richards Hall, featuring the work of four graduating Master of Fine Arts students in the University of Nebraska–Lincoln’s School of Art, Art History & Design.
The simultaneous solo shows will be on display in two rounds, with a new pairing of artists each week between April 4-15.
The third round runs April 4-8 and features the work of Eddy Leonel Aldana (photography) and Amber Boris (sculpture). An artist’s talk will take place on Friday, April 8 at 4 p.m. in Richards Hall Rm. 15. A reception will be held on Wednesday, April 6 from 7-9 p.m. in the gallery.
The final round runs April 11-15 and features the work of Dehmie Dehmlow (ceramics) and Hannah Demma (printmaking). An artist’s talk will take place on Friday, April 15 at 4 p.m. in Richards Hall Rm. 15. A reception will be held on Friday, April 15 from 5-7 p.m. in the gallery.
All of the artist talks will also be available via Zoom at https://unl.zoom.us/s/91791374617.
General hours for the MFA Thesis Exhibitions are Monday–Friday, 12:30-4:30 p.m. Admission is free and open to the public.
The Eisentrager-Howard Gallery is located on the first floor of Richards Hall at Stadium Drive and T streets on the University of Nebraska–Lincoln city campus.
Currently, UNL no longer requires face masks inside our campus buildings. Details, exclusions and updates can be found on the UNL website at https://covid19.unl.edu.
Please contact the School of Art, Art History & Design for more information at (402) 472-5522 or schoolaahd@unl.edu.
Follow the Gallery on social media via Instagram @eisentragerhoward or Facebook @EHArt Gallery to be informed of any gallery updates.
Below is more information about the artists and their exhibitions.
Eddy Leonel Aldana | me tengo que ir
Aldana writes in his artist statement, “’Me tengo que ir’ means ‘I have to go.’ ‘I have to go,’ as in go home, back to my home country, hang up the phone or pass away. ‘Me tengo que ir’ focuses on my family’s place in the Guatemalan diaspora and my reliance on memory and history to examine my own identity. Existing within the diaspora implies displacement, emigration and deportation, along with uncertainty, loss and absence; most of these stemming from nationalism, colonization and U.S. intervention. . . . ‘Me tengo que ir’ consists of photographs and videos that aim to give insight into the role that the U.S. has played in the destabilization of Guatemala and how U.S. immigration laws have affected families like mine.”
Aldana is a Latinx artist originally from Clarksburg, Maryland. He is first-generation Guatemalan-American and his video and photographic work focuses on his family’s experience within the Guatemalan diaspora and examines his own identity. His work explores themes of displacement, migration and loss, among others.
Amber Boris | I Want to Go Home
Boris writes in her artist statement, “The significance of a home lies within the memories of the space. ‘I Want to Go Home’ is a body of work that explores this idea through a collection of sculptures and drawings depicting my childhood home. This house holds meaning to me not only because it is where I grew up, but because it also was my mother’s childhood home. Six generations of our family have passed through the house, creating a long history of associated stories, memories and emotions. I have constructed scaled-down sculptures of rooms for these memories to live in. The spaces are left empty, allowing the viewer to look in and imagine what has happened there.”
Boris is an artist who focuses on sculpture and drawing. She is originally from New Jersey and received her B.F.A. in fine art from the Corcoran School of Art + Design at the George Washington University in May 2017.
Dehmie Dehmlow | The Brick Collage
Dehmlow writes in her artist’s statement, “I work as an interdisciplinary artist making modular sculpture and ceramic vessels. I build with found and salvaged materials/objects, and fabricated structures to create dynamic three-dimensional compositions. These assemblages emphasize the potential in each found, salvaged and fabricated component as a form of agency and vitality. My practice is powered by imagination. I imagine a new collaborative life for found materials/objects that then fill a structural and compositional need within the whole of a sculpture. Moments of familiarity and play are creating through designed mechanisms of implied function and use.”
Dehmlow grew up in Denver, Colorado. She earned her B.A. in ceramics and pre-medical sciences from Colorado State University in Fort Collins in 2014. She worked as a caregiver for elderly and adults with disabilities while earning her bachelor’s degree and in the years since. In 2017-2018, she worked as a ceramics intern at Anderson Ranch Arts Center in Snowmass Village, Colorado. She was selected as an Emerging Artist in 2019 at The Clay Studio in Philadelphia.
Hannah Demma | Salt in Our Bones
Demma writes in her artist’s statement, “I look to the natural world for inspiration in my work. I play the scientist, and the studio is my lab. I observe, hypothesize and run experiments. Then I interpret and process my findings. I am captivated by the variety found within all flora and fauna, as well as the relationships between animals and their environment. I am curious about cause and effect in the natural world (including the disastrous impact humans have had on ecosystems, such as coral reefs). Everything is connected, for better and for worse. There are arguments to be made that humans are nature. There is no separation, no line we can draw between things.”
Demma is an avid outdoorswoman, outdoor educator and lifelong Nebraskan. She received her B.F.A. from the University of Nebraska–Lincoln in 2017. In 2018, she received the Kimmel Foundation Emerging Artist Award and a Mayor’s Art Award. Her passion for art education has taken her to Lincoln, Montana, where she spent a month leading the education programming for an outdoor sculpture park, Blackfoot Pathways Sculpture in the Wild. She has also served as a coordinator for the Cedar Point Biological Station art program and Art Adventure camp.